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In either case the size of the ideal word space varies from one circumstance to another, depending on factors such as letterfit, type color, and size. If the text is justified (set flush left and right), the word space must be elastic. If text is set ragged right, the word space (the space between words) can be fixed and unchanging. Rhythm & Proportion Horizontal Motion Define the word space to suit the size and natural letterfit of the font Please feel free to contribute by forking it on GitHub. It was created and is maintained by Richard Rutter. This website is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

#Anyone who would letterspace lowercase would steal sheep update

I will continue to maintain the website and update as changes are submitted. In February 2014, I opened up the source code to this website on GitHub, with an invitation to web typography enthusiasts to take on the project, update the content and add the missing items. Richard Rutter, Brighton, December 2005. Now start with Rhythm & Proportion or dip into the Table of Contents and enjoy pushing a few boundaries to create websites of real typographical worth.

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If you were to take any working principle from the Grand Design, it would be this: Give full typographical attention even to incidental details. Unfortunately this excludes the entire opening chapter, the Grand Design, which I heartily recommend you read as it lays down the foundations, philosophy and approach to good typography in any medium. I am excluding those principles which are not relevant to the Web or that do not require a technical explanation. I am adding to the site in the order presented in Bringhurst’s book, one principle at a time. The future is considered with coverage of CSS3, and practicality is ever present with workarounds, alternatives and compromises for less able browsers.Īt the time of writing, this is a work in progress.

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In order to allay some of the myths surrounding typography on the web, I have structured this website to step through Bringhurst’s working principles, explaining how to accomplish each using techniques available in HTML and CSS. Indeed the renowned typographer Hermann Zapf proclaims the book to be a must for everybody in the graphic arts, and especially for our new friends entering the field. Robert Bringhurst’s book The Elements of Typographic Style is on many a designer’s bookshelf and is considered to be a classic in the field. The advent of much improved browsers, text rendering and high resolution screens, combine to negate technology as an excuse.

In years gone by this could have been put down to the technology, but now the web has caught up. The Elements of Typographic Style Applied to the Web: A practical guide to web typography The Elements of Typographic Style Applied to the WebĪ practical guide to web typography Richard Rutter Introductionįor too long typographic style and its accompanying attention to detail have been overlooked by website designers, particularly in body copy.